Comments on: SEAM – personal notes http://suzonfuks.net/2009/10/12/seam-personal-notes/ Wed, 29 Jun 2011 18:05:39 +0000 hourly 1 By: suzon http://suzonfuks.net/2009/10/12/seam-personal-notes/comment-page-1/#comment-52 suzon Fri, 30 Oct 2009 02:36:48 +0000 http://suzonfuks.net/?p=653#comment-52 thanks Pierre! your English is really good. am thinking about the how "to advance in the poetic lands of artistic adventures", trying to find a torch!talking about organic combinations: am editing a video with caterpillars...frames within the frame...weaving the frame! thanks Pierre! your English is really good.
am thinking about the how “to advance in the poetic lands of artistic adventures”, trying to find a torch!talking about organic combinations: am editing a video with caterpillars…frames within the frame…weaving the frame!

]]> By: Charp http://suzonfuks.net/2009/10/12/seam-personal-notes/comment-page-1/#comment-49 Charp Fri, 23 Oct 2009 10:38:57 +0000 http://suzonfuks.net/?p=653#comment-49 Just some reflexions in relation with the "other questions": - about mysticism and abstract: I don't think they are related. But mysticism, sometimes, can free the artist of any effort of meaning; because in a mystic view of universe, meaning is always there. So the artist doesn't nedd to affect himself a meaning to his creation and that can sometimes help him to free himself of the prison of rational requirement. In this way, mysticism can help to advance in the poetic lands of artistics adventures.And poetry is alos the third way, no narative no abstraction. Wich is may be what you indicate about analogy? - about the suffixes of re-, de- un-, they are quite representative of the intellectual and artistic mood of today, and echoes what you say about surface: art, and intellect, have became their own object, especially, but not exclusively in virtuals crations. Why? Difficult to say, but I think you make a point about fear of the depth. Except that depth is in fact the reality outside, and the deepest relations with it through emotions. So, in fact it is the consequence of this fear, and sometimes a attempt to fight it. That conducts to the Piranese prisons: the actual mood of creations and, once again, particularly when it involves to use always the screen can also give an feeling of imprisonement. But the attraction of the Piranese prisons is also that those prisons, with their infinite complexity evocates some kind of organic combinations, and combinations are the basis of any creative games, so of any creation. (I hope my english is understandable!) Just some reflexions in relation with the “other questions”:
- about mysticism and abstract: I don’t think they are related. But mysticism, sometimes, can free the artist of any effort of meaning; because in a mystic view of universe, meaning is always there. So the artist doesn’t nedd to affect himself a meaning to his creation and that can sometimes help him to free himself of the prison of rational requirement. In this way, mysticism can help to advance in the poetic lands of artistics adventures.And poetry is alos the third way, no narative no abstraction. Wich is may be what you indicate about analogy?

- about the suffixes of re-, de- un-, they are quite representative of the intellectual and artistic mood of today, and echoes what you say about surface: art, and intellect, have became their own object, especially, but not exclusively in virtuals crations. Why? Difficult to say, but I think you make a point about fear of the depth. Except that depth is in fact the reality outside, and the deepest relations with it through emotions. So, in fact it is the consequence of this fear, and sometimes a attempt to fight it.

That conducts to the Piranese prisons: the actual mood of creations and, once again, particularly when it involves to use always the screen can also give an feeling of imprisonement. But the attraction of the Piranese prisons is also that those prisons, with their infinite complexity evocates some kind of organic combinations, and combinations are the basis of any creative games, so of any creation.
(I hope my english is understandable!)

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