This is a call for proposals for performances/presentations (of 5minutes each maximum) for the launch of WATERWHEEL – with a deadline for proposals of 12 August 2011. The entire performance/presentation program will be no longer than 30-45min.
WATERWHEEL, a new online platform exploring ‘water’ as a topic and metaphor, will be launched on 22 August, in Brisbane (Australia) AND will take place live online on the TAP at 6pm – find your time here – Media release here .
The TAP is an online, real-time venue and forum, workshop and stage for live networked performance and presentation. Here you can create and collaborate, rehearse and remix, present and exchange, participate and communicate—privately as a crew or publicly with an audience. The Tap provides tools for live networking and real-time media mixing.
Below some info on how to use WATERWHEEL. Do not hesitate in contacting us for more details or a guided tour of the TAP.
WHAT IS WATERWHEEL
new online platform exploring ‘water’ as a topic and metaphor. Here is a short video presentation about it – check our vimeo account for a new video coming soon showing the TAP in its latest development! See also media release attached and info below.
All you need is a computer with internet access and a web browser with the latest version of Adobe Flash Player. To contribute and collaborate via the Tap, you might also need a webcam and headset depending on your performance/presentation.
* sign up, you will receive an email with a link
* Activate the link, you can create your TAP (please give it a title) and upload on the WHEEL (check also your junk/spam box, maybe email goes there)
HOW TO UPLOAD
Video tutorial – You can upload: Image (JPG, PNG) | Video (MP4) | Animation/Slideshow (SWF) | Audio (MP3) | Document (RTF, PDF, DOC, XLS) : all media about ‘water’ as a topic or metaphor.
HOW TO USE THE TAP
* once you signed up and activated the link received by email
* you can create your TAP (please give it a title) and upload on the WHEEL (check also your junk/spam box, maybe email goes there)
* If you want to invite someone on your TAP, add that user in your crew
* user will receive an invitation by email with a link
* link has to be activated
* user will log in
* then click on ‘My Taps’ & on the table, there will be ‘superD’ TAP or another titled TAP you’ve been invited to
* On the right side of the table, you have a link ‘ENTER’. Click on it.
* the TAP will load on your webpage (patience, it might take a few minutes – you might be asked to update your flash player to new version, that doesn’t take much time. Just follow the prompt. But you might need to re-log-in)
* You can go with or without webcam. You will need to go on the top menu and select a tab (webcam, visuals, audio) and within each tab, an icon that you will drag onto the stage below. If you want to type chat, go on the write side at the bottom, there is an entry for public and crew. And in the middle on the right, there is another entry for a crew private chat (not seen by audience).
* if you click on a media (once it is dragged on the white page), you will see a palette of tools – first row from top: keep your mouse down when you select one of the tools, second row: resetting tools, third row: just a click on the tool you need, volume icon: keep your mouse down and go down to diminish the volume.
This project is initiated by Suzon Fuks as part of a Fellowship assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body; in collaboration with IGNEOUS and INKAHOOTS, supported by the Queensland Government through Arts Queensland, Brisbane City Council, the Judith Wright Centre for Contemporary Arts, Ausdance Queensland, Youth Arts Queensland & iMAL. Creative Sparks is a joint initiative of Brisbane City Council and the Queensland Government through Arts Queensland. People collaborating so far on the project are from NZ, Australia, Indonesia, India, Serbia, Germany, France, Belgium, the Netherlands, UK, Canada & USA.
Visits to artists encouraged me to formulate better and further the concept of VIRTUAL FOUNTAINS and what networked performance means. It also showed me that if the project is based on contribution and collaboration, it needed to be done in stages.
So Scotia and I made an installation performance at Tembi contemporary Gallery, followed by an artist talk and few days later I gave a workshop (next post).
The installation performance was closely connected to the gallery’s two ponds. Beautiful art space! Plastic bags full of water hung over the ponds (people use them here for drinking). Two of them contained a goldfish. There were 2 simultaneous projections on the walls behind the ponds:
– video of village people, grouped by age, drinking, mixed with images of waterfalls (from plenty to scarcity), ending on an image of drought
– animated loop of Scotia and I drinking from plastic bottles, using internet platform Upstage, with participation of Marlena Corcoran as a remote performer in Munich, performing/responding to me in real time. When the water diminished in the other projection, a wall of plastic bottles gradually covered the frame.
A soundtrack built up, consisting of a common ‘choosing’ rhyme (‘I love him, I love him not’ in 3 languages: Bahasa Indonesian, English and French) layered in crescendo and gave rhythm to Scotia for developing a movement variation inspired by water usage and then, piercing the bags (with same idea of plucking petals from a daisy) creating waterfalls from each into the ponds. This continued until only the bags with the fish remained.
At this point, 2 fish appeared on UpStage saying ‘I love the world, I love it not’ and developed a short ‘on-line performance’. Scotia released the fish into the ponds and piled up all plastic bags.
The cartoonesque fish on UpStage then introduced my artist talk about VIRTUAL FOUNTAINS. – photos by Elly Mangunsong –
Since March, am doing some trials on Selfworld with ActiveLayers (with Cherry in London and Liz in Kawerau (NZ) and James and I in Brisbane). Ivan Chabanaud comes sometimes to our meetings to tweak the server and our room, and in some pix, played Gulliver demonstrating how to use the encoder as a moving backdrop….
We are working on theme of water…made few movies, gather some images and songs, and try to find scores that we can do online.
The use of multi-video streams is powerful, opening up a lot of possibilities but it needs a lot of tweaking and patience, above all for the sound. But somehow being able to see each other is a big reward which gives us all the patience needed!
It gives definitely another space to ‘perform’, a space of intimacy, closeness, macro details, computer’s immediate surrounding, but also outdoors, public spaces, landscapes…
In Yogyakarta (Indonesia), we bought a 3G stick, and continued our trials from here, just beside a paddy field.
James went to internet cafes/parlours to have a separate connection. He could not put his own laptop on the network, and had to use the local computer/webcam….which once was pretty fuzzy (because of fungi growing with humidity)… but other time, were quite interesting cause not in-built in the computer, giving freedom to film around and have various angles.
Because we didn’t have access to printers, we start using other devices with mini-screens to show images (iphone & digital camera), sketches, little objects, using also paper that we were tearing on the spot to shapes… great immediacy, interesting aesthetic, fine movements of hands… to be continued!
Cool, 090909 finished! 20 hours marathon, which was about 26 hours for me (with 4hours sleep) between last rehearsals, making last minutes media, recording, performing and watching other performances (I love to take part as an audience member)! Briefly: interesting new drawing possibilities with the performance LINES (bravo Ben Unterman and team from Canada), effective and sobre animations in SMITHS, beautiful graphics and sounds in MAUI. I didnt see all of SNOW WHITE but enjoyed watching part of this twisted version. Interesting to have at time some provocative thoughts in audience chat.
Last week, I heard an interesting and entertaining talk at writers festival about science-fiction & science! Believable or not, true, non-humans, future of our imagination,…
Saw some early films by Peter Greenaway on Sunday. We are lucky: big retrospective at GOMA cinematheque. Inspiring and also funny to see how some specific interests are still in the air: frame and rhythme / narrative & absurdity & surrealism……. “water wrackets” good treat for the eyes.
In “The Draughtsman’s Contract”, the frame in the frame (perspective drawing viewer in foreground of the filmic frame) is still stirring thoughts about the container, the contained, the abyss/huis clos, also how people move laterally in and out of the frame, like sliding doors.
Brisbane Festival started with an exhibition of LAND by Ulf Langheinrich, experiential digital field, like a macro imagery of particles forming, deforming and reforming spaces. Powerful and hypnotic, I wished I could walk through this landscape, instead of being seated frontally. “Genesis” (showing of a work in progress) with its multi-layered projections, although still needs to develop in terms of dramaturgy and playtime for devising, offered already clear and rich propositions. I enjoyed this clarity and the openness for audience interpretation.
I am participating in the the last theater show ever experiment, preparation phase, opening dialogues…
Annie Abrahams mentioned an interesting theater experiment at parhasards.fr the whole theater show organised from Théâtre La Villette in Paris takes places on the Internet.
Am in Sydney at the SEAM symposium, so will continue writing in the “travel” space of the blog.