Posts Tagged ‘laboratory’

Isadora Workshops 4-6 June 2013 in Brisbane

Winters_Before-&-After-2013

 

As we are continuing a R&D with Ian Winters – see previous post,
he will be visiting from San Francisco to present our research at ISEA 2013
and give Isadora workshops.

 

#1. Isadora Intensive
Tuesday 4 June – Thursday 6 June, 9am-1pm, $150/$120 – Ausdance Qld regional artist special offer, avail. on enquiry
a 3-morning workshop intensive in using Isadora & digital media (video, sound, light) for performance and installation.

#2. Introduction to Isadora
Tuesday June 4, 6-8.30pm, $50/$40
a 2.5hr evening basic introduction to Isadora software.

To reserve a place in either workshop, payment in full must be received by Monday May 27.
Booking enquiries: Ann McLean-Ausdance Qld 3852 3655  &  James Cunningham 0407 437 351
Bookings link: http://www.trybooking.com/50274
Venue: SYC Studios, 37 Manilla St, East Brisbane, Queensland, Australia 4169

 

#1 – ISADORA INTENSIVE – Tuesday 4 June – Thursday 6 June, 9am-1pm, $150/$120
– Ausdance bursary for regional artists.P1080234
for artists, performers, choreographers, designers, directors & musicians interested in integrating live/recorded video, light, sound, and motion/sensor driven interaction into their work. Focused on the hands-on use of Isadora as a tool for integrating a wide array of digital media, visuals, sound, and data for live performance, installation and sound-based projects, participants will learn the essential basics of working with video, still imagery, live & recorded sound, & simple interactive controls such as motion, sensor, & sound triggering of events. Given time / interest we may also look at use of the kinect and cell phones as controllers.
Compositional ideas behind the workshop: While we’ll be focused on technical aspects of working with Isadora, a few questions / thoughts from longer compositional workshops always inflect my teaching: How long is now? What does it mean to listen to a site? What happens when the now of performance is extended through image, sound, light, and repetition/amplification/contrast? What are interventions that alter/disrupt/focus space? What does interaction mean in a sensor-driven world? Where is the body in all of this? What is the lowest tech way to proceed?
Participant background: No specific knowledge of Isadora, video or programming is required. However a working background or practice in performance, visual/media art or sound as well as good basic computer skills is assumed.
Equipment Provided: All students will receive a short-term workshop license of Isadora (courtesy of TroikaTronix). 2 shared projectors, various sensors and a live camera will be available for shared use.
Equipment Required : laptop capable of running Isadora.
Suggested: video camera, and any midi controllers, sensors, microphones, projectors, lights etc. you want to play with.
NOTE: It’s strongly encouraged to review TroikaTronix’s youtube tutorials and work with the demo prior to the workshop.


#2 – INTRODUCTION TO ISADORA
 – Tuesday June 4, 6-8.30pm, $50/$40Isadora interface

covers the essential basics of working with this very popular and powerful software tool developed by Mark Coniglio as a tool to integrate media, sound and interactivity into live physical performance. This workshop is targeted at artists, dancers, choreographers, directors etc. with no prior knowledge of video or live/interactive design software but with a desire to the basics of how to practically use this tool in your work. Time-limited workshop licenses of Isadora will be provided.

 

ABOUT ISADORA: Created by composer and media-artist, Mark Coniglio, Isadora was initially developed to realize the performances of Troika Ranch, the pioneering media intensive dance company he co-founded. Isadora reflects over 20 years of practical experience with real-time live performance and media interactivity. A robust set of tools inspire the advanced designer to realize cutting-edge ideas. Notable features include the ability to composite numerous layers of video, a host of video effects possibilities, the ability to output to as many as six separate video projectors, and a powerful offering of input and output protocols. The latter (which includes OSC, MIDI, Serial, TCP/IP, and HID/game controller devices) are essential for works that require real-time sensory input or when you need to control an external device.
For more information see the Troikatronix site

 

Ian Winters

ABOUT IAN WINTERS, he is a Bay Area based video/media artist, photographer and occasional performer working at the intersections of performance, architectural form, and time-based media. In addition to individual work he often collaborates with composers, directors, and choreographers to create both staged and open-ended media environments through performance, visual and acoustic media. Winters trained in photography, video/film and performance at SMFA-Boston and Tufts University, and post-graduate training in architecture and live performance.

In addition he teaches workshops in interactive video / sound, and has been a visiting artist / conference presenter in media & performance at many institutions including USF, SF State, MIT, Mass Art, LSU, Amherst, Duke, Sussex & Brunel. Recent awards include being a 2013 ISEA-Sydney presenter (as part of the Waterwheel project), a 2012 Leonardo LAZER presenter, the 2012 LAD prize for video design, 2012-3 Isadora Duncan Award nominations for best visual design, 2013 residencies at Djerassi & Earthdance, and a 2013-2015 NEXMAP collective artist.

Recent collaborators and media projects include projects with Francis Ford Coppola (designing the custom Isadora playback system for his recent film, TWIXT), Robert Moses Kin, ODC Dance, Alice Arts, Pamela Z, Evelyn Ficarra, paige starling sorvillo,/blindsight, Sara Kraft, Mary Armentrout Dance Theater, and others. Recent work screenings, performances and video / media design projects include venues such as London City University, the Port of Oakland, The Luggage Store, Sergei Kuryokhin Modern Art Center, Moscow Conservatory Electro-acoustic Center, I-Park Artist’s Enclave, Journées de l’électroacoustique, Paris, YBCA, ODC, Z-Space/Theater Artaud, The Asian Art Museum SF, The Kitchen, POTO Arts Festival, EMPAC, MIT New Media Center, Mass art, London Cutting Edge Festival, Oxford & Corsham music festivals, Moving Baltic Sea Festival and OPEN Cinema Festival in St. Petersburg, CounterPULSE, CNMAT, Highways, The Parkway Theaters, Hertz Hall at UC Berkeley, LA Freewaves festival, 21 Grand, Dance Mission and more. Ian’s website

 


WATERWHEEL – 2nd LAB on the TAP – 27-29 April & 3-6May

If you want to participate, please check & tick the sessions on this doodle – Remember to change the poll to your timezone, then check the times you are available (3 sessions if possible, or more). If there are none, please suggest other times.

This 2nd lab will happen on the TAP with acces only to webcams (no mixing media yet), so we can be only 6 participants per session (for this lab). Very exciting: there are functions that I never saw before: webcams images can be dragged, resized, flipped vertically and horizontally, as well as rotated!

THIS IS FIRST WEEK DOCUMENTATION on the waterwheel blog


WATERWHEEL – first lab/residency about to begin!

Since the announcement of the project, responses show a real interest for the topic, the metaphor & the platform.  Exciting!  Propositions from curators, research, involvement of university students, info forwarded to scientists,etc.   We had a bit of delay in the platform development, as I came back end of the year with swine flu, and Inkahoots studio was out of service for 2 weeks because of the floods. So we will work with a very basic version of the platform, which is maybe more open at this stage for your feedback & advice on its functionalities.

We started a conversation between lab & online participants (below full list of participants), as well as interested people, on a:  Facebook group and a Blog.

The FOUNTAIN first public events (with audience online & on site in Brisbane, at the Bell Tower, level 3, Judith Wright Centre) will happen on:
March 3 & 4 @6-8pm (Qld time – find your time)
March 5 @11.30am-1.30pm (Qld time – find your time) & 5-7pm (Qld time –  find your time) ! we will post links & more info closer to the dates !

CORE TEAM: Suzon Fuks artistic director, project coordinator | Sofia Woods performer/choreographer | James Cunningham external eye & IGNEOUS representative | Felicity Organ-Moore stage/production manager | Will Davy IT & sound technician | INKAHOOTS: Mat Johnson developer, Jason Grant designer, INKAHOOTS artistic director, Bretton – designer | Brisbane LAB PARTICIPANTS: Rozina Suliman | Emma Che Martin | Nathen Street | Kimberley Bianca Warren | Kaz Gibbs | Richelle Spence | Silke Tanzt | Emmy Steiner | ONLINE PARTICIPANTS: Shannon Parsons (Toowoomba, QLD, Australia) | Elizabeth Bryce (NZ) | Vicki Smith (NZ) | Rachel Ruckstuhl-Mann (NZ) | Vincent Probo (Yogyakarta, Indonesia) | Nagasamy Ramachandra (Chennai, India) | Sajani Ganapathy Murugan (Chennai, India) | Beatrice de Fays (Paris, France) | Marloeke van der Vlugt (Amsterdam, the Netherlands) | Katarina Djordevic Urosevic (Belgrade, Serbia) | Cherry Truluk (London, UK) | Hedva Eltanani (London, UK) | Ben Unterman (Vancouver, Canada) | ONLINE DOCUMENTER & CONTRIBUTOR: Francesco Buonaiuto (Naples, Italy)

This project is initiated by Suzon Fuks, an Australia Council for the Arts Fellow, in collaboration with IGNEOUS & INKAHOOTS, and assisted by Arts Queensland, Ausdance Queensland, Youth Arts Queensland, & the Judith Wright Centre for Contemporary Arts (Brisbane).