Screen recordings of the final event on Waterwheel 18-20 March 2016
WATER WORKS 1
– opening with Suzon Fuks & special guest Mahesh Vinayakram – link
– curator Ian Clothier presented works by Anne Pincus, Joolie Gibbs, Julieanna Preston, Kura Puke & Stuart Foster, Trudy Lane, and Vallance Wrathall – link
– curator Michele Guieu presented works by Kristine Diekman & Xavier Mertens – link
WATER WORKS 2
– curator Joanna Hoffmann presented works by Dagmara Wyskiel, and Aguasonic Acoustics aka Mark Fischer – link
– curator Pascale Barret presented a live performance with soundscape by Magali Babin, Andrea-Jane Cornell and visuals by Marie Velardi, mixed by Pascale Barret – link
AND a work by Felicia Konrad / Cosmic Wash Over / Loud Mouth Records – link
– live performance with Katarina DJ Urosevic, Nataša Milojevic, Olivera Milojevic, Jelena Lalic, and Aleksandar Zecevic in a gallery in Belgrade, Serbia – link
WATER WORKS 3
– curator West DL Marrin presented works by Anastasia Tyurina, Colleen Flanigan and Scott Kildall – link
– curator Lila Moore presented works by Hannes Bend, Bonita Bell, and Cheryl Maeder, and includes a short appearance of Hannes Bend – link
– curators Claudia Jacques and Victoria Vesna presented works by Karla Brunet, Linus Lancaster & Frederick Young, Victoria Vesna and Claudia Jacques, Waterbodies.org – part 1 & part 2
WATER WORKS 4
– curator Eric Leonardson presented works by Christina Kubisch & Eckehard Güther, Jay Needham, Christopher DeLaurenti, and Thomas M. Siefert & Lasse-Marc Riek – link
– curator Ricardo Dal Farra presented works by Daniel Blinkhorn, Daniel Quaranta, Jules Bryant, Rafael Gracida Zurita, Ricardo Dal Farra, William Price – link
– curator Leah Barclay presented works by GrIS Perú, John Hopkins, Vincent Andrisani, Zahra Mani, and Leah Barclay – link
WATER WORKS 5
– curator Eklavya Prasad presented works by The to be Young Water Leaders, Olga Chepelianskaia, Marina Di Loreto and Zeesy Powers – link
– curator Atefeh Khas presented works by Fereshte Alamshah, Minoosh Zomorodinia and Zinaida Lihacheva – link
– curators Catherine Lee and Margaret Shiu presented works by Dancecology, Eileen Song, Fei-hao Chen, Pei-Ju Yeh, Yu-Chi,Chiu, and Zhao-Yi Wei – link
AND included a presentation by Yasmine Ostendorf from GALA (Green Arts Lab Alliance) – link
WATER WORKS 7
– curator Annie Abrahams presented works by Antoine Moreau, James Cunningham, and Mikko Lipiäinen – link
– curator Russell Milledge presented works by Robert Wilson, Susan Amorde, Nerina Penzhorn, Rebecca Youdell, and Bonemap – link
– curator and one of the Waterwheel co-founders Jason Grant presented works by Hanna Arvela, Joakim Stampe, and Matthew Geller – followed by blessings by Mahesh Vinayakram and thank yous by Suzon Fuks – link
Fluidata is a project, James Cunningham and I developed over 2 years.
First stage was travelling around Queensland, 7500 kilometres, meeting people, giving workshops, and gathering media, data and stories.
Second stage was researching and making/developing an installation.
Third stage was working in residence at The Block, Queensland University of Technology Creative Industries Precincts in order to present an explorative installation, combined with performances onsite and online with a small team.
James Cunningham and I presented “Streamed river walk, recounting an embodied environmental networked performance practice”, an ONLINE PERFORMATIVE PRESENTATION at the Networked Bodies Symposium in London, at Watermans, on the 9th November 12.30am (Brisbane time).
We enacted slow walking performance on the bank of Brisbane River, recounting our creek walks around Queensland and the Waterwheel network.
We’ve also presented in March 2015 the FLUIDATA project in progress at the international conference Balance/UnBalance in Arizona State University this year.
Below a screen capture of our presentation, with a map of our itinerary around Queensland to collect data.
WATERWHEEL INSTALLATION PERFORMANCE – December 2011 – work-in-progress showing with an on site audience
SHADOWS XXX – game-performance for SOLSTICE, June 2012
FACE THE FACTS – performance for Waterwheel First Birthday, August 2012
photos by Laura Steiner – performer-deviser Anna Yen – rehearsals and last showing of the work in progress developed during a residency at the Judith Wright Centre of Contemporary Art in Brisbane, 22 October 2011
You are invited to be part of this adventure – work in progress showings – It is about water: how much do you care about it? how will you share it? We are constructing an installation performance using Waterwheel
WHERE: – online on http://water-wheel.net/taps/dock/110
– on site in Brisbane at the Judith Wright Centre – shopfront (residency)
we suggest you come at least 15 minutes before, you open your browser, and click or copy & paste this link: http://water-wheel.net/taps/dock/110 – In the right upper corner, there will be a white rectangle – click on ENTER
Brisbane crew: Suzon Fuks (project initiator), Anna Yen (performer), Rozina Suliman (set designer), Nathen Street (interactive system designer), James Cunningham (external eye & go between), Felicity Organ-Moore (light & production), Laura Steiner (AV assistant/documenter), Doug Leonard (dramaturg), and Will Davies (IT)
Online crew: Maartje Belmer (NL) (choreography, project assistant), Kaz L Gibbs (AUS), Hedva Eltanani (UK), Katarina DJ Uroševi? (Serbia), Amin Hammami (Tunisia) (soundscape)
There will be feedback session after each showing. Looking forward to meeting you on the TAP!
This is a call for proposals for performances/presentations (of 5minutes each maximum) for the launch of WATERWHEEL – with a deadline for proposals of 12 August 2011. The entire performance/presentation program will be no longer than 30-45min.
WATERWHEEL, a new online platform exploring ‘water’ as a topic and metaphor, will be launched on 22 August, in Brisbane (Australia) AND will take place live online on the TAP at 6pm – find your time here – Media release here .
The TAP is an online, real-time venue and forum, workshop and stage for live networked performance and presentation. Here you can create and collaborate, rehearse and remix, present and exchange, participate and communicate—privately as a crew or publicly with an audience. The Tap provides tools for live networking and real-time media mixing.
Below some info on how to use WATERWHEEL. Do not hesitate in contacting us for more details or a guided tour of the TAP.
WHAT IS WATERWHEEL
new online platform exploring ‘water’ as a topic and metaphor. Here is a short video presentation about it – check our vimeo account for a new video coming soon showing the TAP in its latest development! See also media release attached and info below.
All you need is a computer with internet access and a web browser with the latest version of Adobe Flash Player. To contribute and collaborate via the Tap, you might also need a webcam and headset depending on your performance/presentation.
* sign up, you will receive an email with a link
* Activate the link, you can create your TAP (please give it a title) and upload on the WHEEL (check also your junk/spam box, maybe email goes there)
HOW TO UPLOAD
Video tutorial – You can upload: Image (JPG, PNG) | Video (MP4) | Animation/Slideshow (SWF) | Audio (MP3) | Document (RTF, PDF, DOC, XLS) : all media about ‘water’ as a topic or metaphor.
HOW TO USE THE TAP
* once you signed up and activated the link received by email
* you can create your TAP (please give it a title) and upload on the WHEEL (check also your junk/spam box, maybe email goes there)
* If you want to invite someone on your TAP, add that user in your crew
* user will receive an invitation by email with a link
* link has to be activated
* user will log in
* then click on ‘My Taps’ & on the table, there will be ‘superD’ TAP or another titled TAP you’ve been invited to
* On the right side of the table, you have a link ‘ENTER’. Click on it.
* the TAP will load on your webpage (patience, it might take a few minutes – you might be asked to update your flash player to new version, that doesn’t take much time. Just follow the prompt. But you might need to re-log-in)
* You can go with or without webcam. You will need to go on the top menu and select a tab (webcam, visuals, audio) and within each tab, an icon that you will drag onto the stage below. If you want to type chat, go on the write side at the bottom, there is an entry for public and crew. And in the middle on the right, there is another entry for a crew private chat (not seen by audience).
* if you click on a media (once it is dragged on the white page), you will see a palette of tools – first row from top: keep your mouse down when you select one of the tools, second row: resetting tools, third row: just a click on the tool you need, volume icon: keep your mouse down and go down to diminish the volume.
This project is initiated by Suzon Fuks as part of a Fellowship assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body; in collaboration with IGNEOUS and INKAHOOTS, supported by the Queensland Government through Arts Queensland, Brisbane City Council, the Judith Wright Centre for Contemporary Arts, Ausdance Queensland, Youth Arts Queensland & iMAL. Creative Sparks is a joint initiative of Brisbane City Council and the Queensland Government through Arts Queensland. People collaborating so far on the project are from NZ, Australia, Indonesia, India, Serbia, Germany, France, Belgium, the Netherlands, UK, Canada & USA.
Networked/telematic/telepresence performance/presentation & real time media mixing laboratory exploring & testing the online venue TAP,
– as well as the tools: webcams (which can move, rotate, resize, flip in real time), but also mix & use media palettes, realtime drawing tool & type chat, we will use our own bodies
– explorations: scores/parameters/mini-scripts on the theme of water, interaction between webcams & body movements/voice & media, mixing & layering media (also with webcams), interaction text/voice/sound/chat, interaction online/onsite spaces with or without projections Documentation of previous laboratories on the blog
– exploring & testing TAP – as a new platform in development: what works, what doesn’t, what can be improved, wish list
– make your own performances/presentations on the TAP
– meeting future possible collaborators
– possible participation in various events (launch on 22 August, installation performance Oct & Dec, water science symposium, etc…to be discussed at the lab)
PARTICIPANTS PROFILE: Open-minded, interested in collaboration across disciplines (in arts, sciences, activism, environmentalism, education), curious to experiment and share skills
PRE-REQUISITE: There is no particular computer skill necessary for the workshop, however it could be useful to have some knowledge of these applications: photoshop, flash, video & sound editing.
PRACTICALLY : Bring your computer, in-built or/and external webcam, headset, media related to water (stills, videos, flash animations, sound & music files, text, spreadsheets). Be ready to move in comfortable clothes. NO FEE AS IT IS BASED ON EXPLORATIVE PERSONAL INTEREST OF EACH PARTICIPANT.
SCHEDULE & REGISTRATION – please select your sessions on doodle
– 12-15July online 1 session a day, onsite in residence at iMAL from 13-21h
– 18-22July only online 2 sessions a day to chose from – you need to take part in 3 sessions min (2hours per session). Please send an email to suzon
ABOUT SUZON: Suzon Fuks is a media artist, choreographer and director exploring the integration and interaction of dance & moving image through performance, screen, installation & online work. She is currently an Australia Council for the Arts Fellowship recipient.This project is initiated by Suzon Fuks as part of a Fellowship assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body; in collaboration with IGNEOUS and INKAHOOTS, supported by the Queensland Government through Arts Queensland, Brisbane City Council, the Judith Wright Centre for Contemporary Arts, Ausdance Queensland & Youth Arts Queensland. Creative Sparks is a joint initiative of Brisbane City Council and the Queensland Government through Arts Queensland. Artists collaborating so far on the project are from NZ, Australia, Indonesia, India, Serbia, Germany, France, Holland, UK, Canada & USA
photos by Laura Steiner – 4th and last showing of the residency
If you want to participate, please check & tick the sessions on this doodle – Remember to change the poll to your timezone, then check the times you are available (3 sessions if possible, or more). If there are none, please suggest other times.
This 2nd lab will happen on the TAP with acces only to webcams (no mixing media yet), so we can be only 6 participants per session (for this lab). Very exciting: there are functions that I never saw before: webcams images can be dragged, resized, flipped vertically and horizontally, as well as rotated!
Since the announcement of the project, responses show a real interest for the topic, the metaphor & the platform. Exciting! Propositions from curators, research, involvement of university students, info forwarded to scientists,etc. We had a bit of delay in the platform development, as I came back end of the year with swine flu, and Inkahoots studio was out of service for 2 weeks because of the floods. So we will work with a very basic version of the platform, which is maybe more open at this stage for your feedback & advice on its functionalities.
The FOUNTAIN first public events (with audience online & on site in Brisbane, at the Bell Tower, level 3, Judith Wright Centre) will happen on:
– March 3 & 4 @6-8pm (Qld time – find your time)
– March 5 @11.30am-1.30pm (Qld time – find your time) & 5-7pm (Qld time – find your time) ! we will post links & more info closer to the dates !
CORE TEAM: Suzon Fuks artistic director, project coordinator | Sofia Woods performer/choreographer | James Cunningham external eye & IGNEOUS representative | Felicity Organ-Moore stage/production manager | Will Davy IT & sound technician | INKAHOOTS: Mat Johnson developer, Jason Grant designer, INKAHOOTS artistic director, Bretton – designer | Brisbane LAB PARTICIPANTS: Rozina Suliman | Emma Che Martin | Nathen Street | Kimberley Bianca Warren | Kaz Gibbs | Richelle Spence | Silke Tanzt | Emmy Steiner | ONLINE PARTICIPANTS: Shannon Parsons (Toowoomba, QLD, Australia) | Elizabeth Bryce (NZ) | Vicki Smith (NZ) | Rachel Ruckstuhl-Mann (NZ) | Vincent Probo (Yogyakarta, Indonesia) | Nagasamy Ramachandra (Chennai, India) | Sajani Ganapathy Murugan (Chennai, India) | Beatrice de Fays (Paris, France) | Marloeke van der Vlugt (Amsterdam, the Netherlands) | Katarina Djordevic Urosevic (Belgrade, Serbia) | Cherry Truluk (London, UK) | Hedva Eltanani (London, UK) | Ben Unterman (Vancouver, Canada) | ONLINE DOCUMENTER & CONTRIBUTOR: Francesco Buonaiuto (Naples, Italy)
This project is initiated by Suzon Fuks, an Australia Council for the Arts Fellow, in collaboration with IGNEOUS & INKAHOOTS, and assisted by Arts Queensland, Ausdance Queensland, Youth Arts Queensland, & the Judith Wright Centre for Contemporary Arts (Brisbane).
A unique workshop opportunity to participate in the first phase of the WATERWHEEL project.
The workshop will develop a networked/telematic installation performance on the theme of WATER, initiated by Suzon Fuks, Australia Council Fellow. She will facilitate emerging and interested intermedia artists, composers, video makers, visual artists, dancers, performers, or choreographers (maximum 5 participants in Brisbane) to engage, collaborate and forge creative partnerships, developing and testing a brand new internet platform specifically made for performance and mixed media, and creating a new installation performance with participatory audience. At least 2 showings onsite & online will conclude the workshop.
WHEN: Feb 21 to March 6 (for Brisbane participants Mo-Fri 4-7pm &/or Sat 10.30am-5pm)
WHERE: Ausdance Bell Tower, YAQ & on internet
WHAT: creative process will include brainstorming, improvs, gathering of media, inter-skill sharing sessions, at least 2 onsite & online events & feedback with leaders in the fields.
HOW: #1- write an email by 1st February with full contact details & expressing your interest in the WATERWHEEL project -#2- in a phone or skype conversation, you will be asked: what is your clear commitment to the creative process, your availability, which other relevant experience you have -#3- you will be advised by email by February 4.
MORE INFO: email or call Suzon Fuks on 0404 292 119
ABOUT THE WATERWHEEL PROJECT
Following a year of preparation, 2011: The Waterwheel starts turning! Welcome! Be a part of this new online collaborative space without borders: from teachers to students, performers to scientists, producers, programmers, curators, visual artists, composers, activists and everyone in between. All ages welcome!
The upcoming Waterwheel project revolves around WATER as a topic and a metaphor – what people want to share, say, or debate about this fundamental element. It includes:
The Waterwheel – an interactive website
The Tap – an online performance & collaborative venue
Fountains – outcomes that well up from the project
The Waterwheel interactive website will give you the power to collaborate, explore ideas, research and gather feedback by uploading and sharing media about water: images, video, music, text or sound.
The Tap online performance & collaborative venue will be accessible by audience and performers with just a click, no download needed, and will be free. ‘Live’ performers from various locations will interact with audiences in real time using webcams, media from The Waterwheel and drawing tools. Audience can participate online through a chat facility or directly with the ‘live’ performers on site. From February, basic versions of The Waterwheel and The Tap will be available, you can be involved and follow the developments by uploading your media, exploring the online venue, and giving your feedback.
Fountains will be outcomes that anyone is free to initiate and will be triggered by interactions on The Waterwheel. A Fountain could be a book, a performance, an exhibition, a community project, a multi-generational exchange, a concert or an installation festival – let your imagination steer the way. These Fountains will be mapped out on the website, so you can see what The Waterwheel is powering. Throughout 2011, workshop residencies will develop one Fountain which is an installation performance, testing the website and the online venue. The first residency, which runs 14 Feb – 6 March, is based in Brisbane and open for your participation online or on site. Please let us know if you are interested.
Turn the wheel your way and pass on this message to your pool of people! Welcome to translate it into your language. For more information about any part of the project and how to contribute/participate, please email.This project is initiated by Suzon Fuks, an Australia Council for the Arts Fellow, in collaboration with IGNEOUS & INKAHOOTS, and assisted by Arts Queensland, Ausdance Queensland, Youth Arts Queensland, & the Judith Wright Centre for Contemporary Arts (Brisbane).
This video is the first ‘camera/tripod’ duet improv that
James Cunningham did.
9 short holiday performances by Annie Abrahams and Antye Greie
for You Say Tomato, I Say Tomato, show co-curated by Anna FC Smith and Nathalie Boobis
++++++++Time is BST(British Summer Time) + 1h ++++++++
Preferences August 5th 7pm Press evening
Patriotism August 7th 8pm Private view evening
News August 8th 5pm
Wilderness August 9th 5pm
Love August 10th 5pm
Space August 11th 5pm
Communism August 12th 5pm
Collaboration August 13th 5pm
Turn, turn, turn August 14th 5pm
More information from http://bram.org/9meetings
+++ Documentation of the Huis Clos / No Exit – On Translation performance at NIMk Amsterdam available from http://bram.org/huisclos/ontranslation/
+++ Article on the HTTP show of this spring IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS by Maria Chatzichristodoulou in Digimag 54 May 2010 http://www.digicult.it/digimag/article.asp?id=1793
Following the artist talk and installation performance at Tembi contemporary gallery, I gave a 2day-workshop to local artists, at MES56 Gallery, on networked creative collaboration, sharing info about internet platforms, tools and processes.
Humour, focus and motivation contributed to overcome language difficulties. Different priorities, variable accesses to internet and speed of connection (slow at times!) were interesting challenges, reinforcing the demand of being flexible to scale/re-scale/adjust schedule and content. Thanks to MES56! Sip! – photos by Wimo, Akiq, Dolly and Andre –
exhibition on gallery walls:’Contact Lens’ by Victor Zwiers
Visits to artists encouraged me to formulate better and further the concept of VIRTUAL FOUNTAINS and what networked performance means. It also showed me that if the project is based on contribution and collaboration, it needed to be done in stages.
So Scotia and I made an installation performance at Tembi contemporary Gallery, followed by an artist talk and few days later I gave a workshop (next post).
The installation performance was closely connected to the gallery’s two ponds. Beautiful art space! Plastic bags full of water hung over the ponds (people use them here for drinking). Two of them contained a goldfish. There were 2 simultaneous projections on the walls behind the ponds:
– video of village people, grouped by age, drinking, mixed with images of waterfalls (from plenty to scarcity), ending on an image of drought
– animated loop of Scotia and I drinking from plastic bottles, using internet platform Upstage, with participation of Marlena Corcoran as a remote performer in Munich, performing/responding to me in real time. When the water diminished in the other projection, a wall of plastic bottles gradually covered the frame.
A soundtrack built up, consisting of a common ‘choosing’ rhyme (‘I love him, I love him not’ in 3 languages: Bahasa Indonesian, English and French) layered in crescendo and gave rhythm to Scotia for developing a movement variation inspired by water usage and then, piercing the bags (with same idea of plucking petals from a daisy) creating waterfalls from each into the ponds. This continued until only the bags with the fish remained.
At this point, 2 fish appeared on UpStage saying ‘I love the world, I love it not’ and developed a short ‘on-line performance’. Scotia released the fish into the ponds and piled up all plastic bags.
The cartoonesque fish on UpStage then introduced my artist talk about VIRTUAL FOUNTAINS. – photos by Elly Mangunsong –
Since March, am doing some trials on Selfworld with ActiveLayers (with Cherry in London and Liz in Kawerau (NZ) and James and I in Brisbane). Ivan Chabanaud comes sometimes to our meetings to tweak the server and our room, and in some pix, played Gulliver demonstrating how to use the encoder as a moving backdrop….
We are working on theme of water…made few movies, gather some images and songs, and try to find scores that we can do online.
The use of multi-video streams is powerful, opening up a lot of possibilities but it needs a lot of tweaking and patience, above all for the sound. But somehow being able to see each other is a big reward which gives us all the patience needed!
It gives definitely another space to ‘perform’, a space of intimacy, closeness, macro details, computer’s immediate surrounding, but also outdoors, public spaces, landscapes…
In Yogyakarta (Indonesia), we bought a 3G stick, and continued our trials from here, just beside a paddy field.
James went to internet cafes/parlours to have a separate connection. He could not put his own laptop on the network, and had to use the local computer/webcam….which once was pretty fuzzy (because of fungi growing with humidity)… but other time, were quite interesting cause not in-built in the computer, giving freedom to film around and have various angles.
Because we didn’t have access to printers, we start using other devices with mini-screens to show images (iphone & digital camera), sketches, little objects, using also paper that we were tearing on the spot to shapes… great immediacy, interesting aesthetic, fine movements of hands… to be continued!
James and I participated in BACKYARD DANCES, an on-line community dance which tempted to bring the ordinary and the local to the global stage through a collection of backyard video streams performed by Becca Wood and dancers in Berlin, Brisbane, Oklahoma, Taipa, Auckland City and Auckland Waterview. These locations were linked by the same sound score made of a mash up of backyard videos sent by contributors responding to a call for participation.
Backyard Dances was made for the Electrosmog Festival performance/events program.
ElectroSmog is a new festival that revolves around the concept Sustainable Immobility. The festival introduced and explored this concept in theory and practice. With Sustainable Immobility they refer to a critique of current systems of hyper mobility of people and products in travel and transport, and their ecological unsustainability.
After 3 months of my fellowship, I presented to peers what I have done and what I am preparing : the first part of the presentation was about ‘Screendance’, second part about ‘Networked Performance’. I delivered the presentation twice:
– at Igneous studio with 18 people, on December 6, 2009 – download transcript
– online with 12 people from 3 different time zones(!), on December 13, 2009, on UpStage and using audio on USTREAM. Download the log.
Below is the video of the 2nd part of the online presentation about ‘Networked Performance’. For the 1st part of the online presentation about ‘Screendance’, see this post (screendance category).
The sessions were followed by a critical response process facilitated by James Cunningham.
In October 09, KEDJA Oslo encounter was focusing on Dance and New Media.
TELE-PLATEAUS event this morning 6 Dec 09, at 5am (Oz time) in the context of Cynetart Festival in Dresden. Aim of Tele-Plateaus: to establish a permanent network allowing for direct audiovisual real-time interactions between similarly configured public sites and performance stages across Europe. Tele-Plateaus is composed, controlled and structured by movements of people from different cities. Within these networked stages and sites people from Dresden, Madrid, Norrköping, and Prague (among the first connected cities) can dance and play together. They can simultaneously create pictures, sounds, and light effects by means of their own movements without operating any additional interfaces. The shared virtual hyper-site is based on the generation of data that is available for processing to all computers within a common network. Movement parameters (speed, spatial position, etc.) are captured and digitalised by camera-based motion system and exchanged between computers at distant locations with a technically similar configuration.
DANCETECH was producing the streaming of the event and diffusing interviews about the processes experienced by artists participating at the preparation of the event. (I found some interviews posted afterwards here)