Visits to artists encouraged me to formulate better and further the concept of VIRTUAL FOUNTAINS and what networked performance means. It also showed me that if the project is based on contribution and collaboration, it needed to be done in stages.
So Scotia and I made an installation performance at Tembi contemporary Gallery, followed by an artist talk and few days later I gave a workshop (next post).
The installation performance was closely connected to the gallery’s two ponds. Beautiful art space! Plastic bags full of water hung over the ponds (people use them here for drinking). Two of them contained a goldfish. There were 2 simultaneous projections on the walls behind the ponds:
– video of village people, grouped by age, drinking, mixed with images of waterfalls (from plenty to scarcity), ending on an image of drought
– animated loop of Scotia and I drinking from plastic bottles, using internet platform Upstage, with participation of Marlena Corcoran as a remote performer in Munich, performing/responding to me in real time. When the water diminished in the other projection, a wall of plastic bottles gradually covered the frame.
A soundtrack built up, consisting of a common ‘choosing’ rhyme (‘I love him, I love him not’ in 3 languages: Bahasa Indonesian, English and French) layered in crescendo and gave rhythm to Scotia for developing a movement variation inspired by water usage and then, piercing the bags (with same idea of plucking petals from a daisy) creating waterfalls from each into the ponds. This continued until only the bags with the fish remained.
At this point, 2 fish appeared on UpStage saying ‘I love the world, I love it not’ and developed a short ‘on-line performance’. Scotia released the fish into the ponds and piled up all plastic bags.
The cartoonesque fish on UpStage then introduced my artist talk about VIRTUAL FOUNTAINS. – photos by Elly Mangunsong -
SPRINKLER FOUNTAIN by Suzon Fuks (Australia), Miljana Peric (Serbia) and Tara Rebele (USA) can be plotted as a net with many idea-sourcing knots, rain of conceptualized drops, cradle for discontinuous fluxes in which particles of waterdreams and waternightmares meet each other for a moment or two.
It is a place where you can leave your waterstory, waterpoem, watersketch, or whaterever: email@example.com > subject: water.
It is a time when you can get other kinds of aesthetic fluctuations, through the force of streams which have to be caused by decorative and dramatic tidal resonances.
We can’t tell you any more, because this plot is highly dependent upon the coming myriad of tiny aqua-semantical dataflows.
The only saying that would flow around for now is: to sprinkle or not to sprinkle?
SPRINKLER FOUNTAIN is part of VIRTUAL FOUNTAINS: for 101010 UpStage Festival, there will be presentation of initial ideas of a new project about WATER, a currency in all cultures, a compelling issue providing metaphors and vocabulary for creative exchange online and on-site.
In other words: please send us before the festival memories, tales & media about water that you are happy for us to use: firstname.lastname@example.org > subject: water, or just turn up at the fountain on the day! we will post a link closer to the date.
Cool, 090909 finished! 20 hours marathon, which was about 26 hours for me (with 4hours sleep) between last rehearsals, making last minutes media, recording, performing and watching other performances (I love to take part as an audience member)! Briefly: interesting new drawing possibilities with the performance LINES (bravo Ben Unterman and team from Canada), effective and sobre animations in SMITHS, beautiful graphics and sounds in MAUI. I didnt see all of SNOW WHITE but enjoyed watching part of this twisted version. Interesting to have at time some provocative thoughts in audience chat.
Last week, I heard an interesting and entertaining talk at writers festival about science-fiction & science! Believable or not, true, non-humans, future of our imagination,…
Saw some early films by Peter Greenaway on Sunday. We are lucky: big retrospective at GOMA cinematheque. Inspiring and also funny to see how some specific interests are still in the air: frame and rhythme / narrative & absurdity & surrealism……. “water wrackets” good treat for the eyes.
In “The Draughtsman’s Contract”, the frame in the frame (perspective drawing viewer in foreground of the filmic frame) is still stirring thoughts about the container, the contained, the abyss/huis clos, also how people move laterally in and out of the frame, like sliding doors.
Brisbane Festival started with an exhibition of LAND by Ulf Langheinrich, experiential digital field, like a macro imagery of particles forming, deforming and reforming spaces. Powerful and hypnotic, I wished I could walk through this landscape, instead of being seated frontally. “Genesis” (showing of a work in progress) with its multi-layered projections, although still needs to develop in terms of dramaturgy and playtime for devising, offered already clear and rich propositions. I enjoyed this clarity and the openness for audience interpretation.
I am participating in the the last theater show ever experiment, preparation phase, opening dialogues…
Annie Abrahams mentioned an interesting theater experiment at parhasards.fr the whole theater show organised from Théâtre La Villette in Paris takes places on the Internet.
Am in Sydney at the SEAM symposium, so will continue writing in the “travel” space of the blog.