Sculpture books are unfolded throughout the performance, metaphor of overflow of information, thousands of words describing the inhumane situation of Australian immigration policy of offshore processing and mandatory indefinite detention. #wecandobetter questions our empathy and acceptance of differences & explores ways of opening up to others.
September 2017: premiere at Palmenhaus (Germany) as part of the OVERFLOW experiment, whilst artist in residence at Villa Waldberta, City of Munich
November 2017: Magdalena Segunda Generación Festival (Buenos Aires & Panama – Argentina) with 10 performers
Role: conception, book making, projections, performance & direction